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With The Breakthrough already a success, the singer looks forward to anthologizing her career with the retrospective disc Reminisce, set for this spring, as well a tour behind the new album to launch in May. How do I do this?’ It’s just a lot of living and learning.” “Then with the Share My World album, it was like, ‘OK, I’m on my own. And everybody responded like, ‘Me, too,'” Blige explains. “In the middle, from ‘Real Love’ to now, you had the My Life album, where I spoke to people about what I was dealing with. has displayed the singer’s growth as she publicly battled with personal demons, revealing each struggle in her music. And Blige’s career - which catapulted the likes of Sean “Diddy” Combs, included a tempestuous relationship with K-Ci of Nineties R&B group Jodeci and saw early collaborations with late rapper the Notorious B.I.G. The thirty-five-year-old songstress, raised in the Schlobam Housing Projects in Yonkers, New York, burst onto the scene in 1992 with What’s the 411? and was crowned the Queen of Hip-Hop Soul for her blend of R&B with Nineties rap culture. You can’t keep us down - regardless of who told us we were ugly and weren’t going to amount to nothing. “That’s me, that’s my mother, that’s every woman that’s ever been left by some man, left raising the children,” Blige says of “Good Woman Down.” “That’s every young girl that’s got a child and don’t know what to do. Her wisdom and growth are exhibited in the single “Be Without You,” an ode to love and relationships, with the request that we all “call the radio if you just can’t be without your baby” the touching “Father in You” and the anthemic “Good Woman Down.” With songs like the soulful ballad “Take Me as I Am,” The Breakthrough is reminiscent of 1995’s My Life - but with an older, wiser diva at the mike. The Breakthrough brought enough soul, ghetto and drama to satisfy her loyal following, who made the album the top Christmas week seller. So what I did was remove everyone and everything from out of my life except my husband and my stepchildren, and we locked ourselves up in the studio and put this album together.” “I started understanding what happened on a project like Love and Life: When there are too many aggressive people around, if you don’t know what to do, you going against what you know in your heart is the right thing. “I went into the studio not wanting to let my fans down,” says Blige, who expressed some disappointment with her last album. And if it wasn’t for God, I would not have been able to deliver.” The singer’s rise to the top has been heavy with drama, and she credits the success of the new album to her faith and her family.
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Blige ended 2005 with the release of her seventh album, The Breakthrough, truly breaking through on the charts, debuting at Number One with a massive 727,000 copies sold - nearly three times her previous first-week sales record. (One exception here is “Jennifer,” an anguished ballad that shows off some of K-Ci and JoJo’s peak harmonizing.R&B sensation Mary J. And he gets better as he devolves, his finest moments less about lyrics than postverbal utterances. When K-Ci is seducing, he’s pleading and moist. He may have roots in the church, but the Lord’s favor isn’t what his music typically craves. The best Jodeci songs are slick marches that focus on the body, like this album’s “Checkin for You” and “Stress Reliever.” Atop it all is K-Ci. (There have been some projects by individual members and by the Hailey brothers together, but nothing of note since 2000, the same year that D’Angelo’s “ Voodoo” emerged.) And if you can forgive the album’s concessions to the musical innovations of the last decade or so, like the Timbaland-assisted production on “Incredible,” it’s a logical, if slightly aged, continuation of the group’s music from its prime. “ The Past, the Present, the Future,” the fourth Jodeci album, arrives 20 years after the last one. In the early- and mid-1990s, Jodeci was the group that fully imported hip-hop’s louche swagger into soul. Hailey is the centerpiece of Jodeci, which also includes his brother JoJo and the brothers Donald and Dalvin DeGrate. Just as R&B badly needs D’Angelo’s righteous howl, it also needs K-Ci Hailey’s ecstatic wail. A few months ago the soul savant D’Angelo released a new album, “ Black Messiah,” some 14 years after his previous one, “Voodoo.” On its own, it was an accomplishment, but it was also a reminder of many things that today’s R&B mainstream lacks: political engagement, the warmth and tension of a live band, a voice with fascinating crevices.